Miracle of St. Mark by Tintorettoby Didier Descouens (CC BY-SA). Tintoretto did not select between patrons as Titian did: rather than prioritizing prestigious foreign clients, he concentrated on fulfilling local demands. The artist was born in Venice and lived there all his life. Ancient History Encyclopedia Foundation is a non-profit organization. And the lifespan of this artist is Sept/Oct 1518- … From this point onward, he was almost constantly at work in the Ducal Palace. NICHOLS, TOM "Tintoretto (Jacopo Robusti; c. 1518–1594) Milan, 1982. . Ancient History Encyclopedia. Infinitely moving is his self-portrait as an old man (1588, Paris) in a very simple pose, en face, resigned and wise. As the eldest son Jacopo was given the nickname Tintoretto meaning dyer’s boy. The artist’s fame ensured that his workshop was visited by artists from far and wide, including from the Netherlands and Germany. He holds a stick like those from which the basket is made, and two knives in a sheath lie in his lap. Tintoretto is usually described as a Mannerist, although his striving for effect is less in the cause of stylishness and more for the sake of narrative drama. The falling, twisting depiction of Venice’s patron saint in the centre of the picture is highly unusual for a painting and seems more fitting for a ceiling fresco. Therefore, that information is unavailable for most Encyclopedia.com content. The real name of Tintoretto was Jacopo Robusti, but he is better known by his nickname, meaning the "little dyer, " his father having been a silk dyer. Netherlands He designed and worked on a number of commissions for the Doge's Palace, and on an outstanding cycle of paintings for the Scuola di San Rocco, which are still in their original location. Encyclopedia.com. In 1548 he made his name with the startling Miracle of the Slave (Accademia, Venice) for the Scuola di San Marco, and between 1564 and 1588 produced more than sixty paintings for the meeting house of the Scuola di San Rocco. Tintoretto – Biography- 200 words. But Tintoretto's conceptual and formal individualism, like his penchant for leaving the broad (although thinly loaded) marks of his brush exposed on the picture surface, took his art beyond such sources and also beyond anything yet seen within Venetian Renaissance art. After supper with his disciples, Christ rose and began to wash their feet (John 13:2–17). “Indeed, he has surpassed even the limits of extravagance with the new and fanciful inventions and the strange vagaries of his intellect, working … Among his late works, which are distinguished by the joining of a noble naturalism with an ever greater and touching spirituality, is the vast representation of Paradise in the Sala del Gran Consiglio of the Doges' Palace (1588), in which the Madonna and saints, led by St. Mark, recommend the Great Council of Venice and its decisions to the grace of Christ. Le opere sacre e profane. https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/tintoretto, "Tintoretto Paradise by Tintorettoby Web Gallery of Art (Public Domain). Tintoretto had won the competition to see which artist would decorate the scuola by secretly going into one of its rooms and hanging up one of his paintings. And while his exposed paint surface owes something to the earlier Venetian Renaissance tradition of coloring (colorito), his approach is very different from that of artists such as Giorgione or Titian. The cross of the good thief is being pulled into position; a ladder, ready for the deposition, lies on the ground and leads our eye far back into the painting; the bad thief is about to be nailed to his cross, which lies on the ground. Cagnes-sur-Mer, France Last modified October 01, 2020. His father, Giovanni, was a dyer, or tintore; hence the son got the nickname of Tintoretto, little dyer, or dyer's boy. Encyclopedia of World Biography. World Encyclopedia. Tintoretto was a painter with a wholly personal, constantly evolving technique and vision. Tintoretto is usually described as a Mannerist, although his striving for effect is less in the cause of stylishness and more for the sake of narrative drama. Tintoretto (Jacopo Robusti; c. 1518–1594) World Encyclopedia. ." In later paintings such as The Baptism and The Agony in the Garden (both 1578–1581), complex formal masses are cloaked in brownish shadow, illuminated only at certain points by angled shafts of golden light, which imply the immanent presence of the divine. Mary, at the foot of the cross, has fainted into the arms of her companions. Tintoretto's allegorical works and scenes from ancient and modern history include the ribald Mars, Venus, and Vulcan (ca. He was a Knight of the Golden Stole, a Venetian order of knighthood represented by the embroidered stole he wears over his shoulder.He observes us with a shrewd and slig... Saint George plunges his lance into the jaws of the dragon which, according to legend, inhabited the lake outside the city of Lydda in the Holy Land. Tintoretto is supposed to have inscribed on the wall of his studio the motto: "The drawing of Michelangelo and the color of Titian." Two examples are his representation of Doge Alvise Mocenigo, r. 1470-77 CE (Academia, Venice), and the nobleman Vincenzo Morosini (National Gallery, London). The works of Tintoretto's mature style, though often even more dramatic than his early one, s are distinguished by a greater compositional unity and a richer splendor of muted colors. Unlike certain other leading artists of the time, Tintoretto—"the little dyer"—did not seek to conceal his lower-class social origins. The works include the massive 12.2 metres (40 ft) wide canvas the Crucifixion, the Christ before Pilate, and Moses Drawing Water from the Rock. Cite This Work Tintoretto was primarily a figure painter and delighted in showing his figures in daring foreshortening and expansive poses. Encyclopedia.com. His father Giovanni was a dyer, known as a tintore. Books 1562), and the Removal of the Body of St. Mark (ca. (October 16, 2020). In 1555 CE Tintoretto married Faustina Episcopi, with whom he had eight children. Retrieved October 16, 2020 from Encyclopedia.com: https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/tintoretto. For the next decade the artist was occupied with paintings with a biblical theme for Venice’s Madonna dell’Orto church. 1550), which shows Mars hiding under a bed to escape detection by Vulcan, who, having returned home unannounced, is approaching Venus; the melodramatic and yet affecting Rape of Lucretia (ca. This artist is a/an Italian painter, and the full name of this artist is Tintoretto, the date of birth of this artist is October, 1518. News. 2 vols. In 1508 CE the Pope commissioned the celebrated Florentine sculptor... During the Renaissance, most works of fine art were commissioned... David Bowie's Tintoretto: The Lost Church Of San Geminiano, Titian, Tintoretto, Veronese: Rivals in Renaissance Venice, Creative Commons Attribution-NonCommercial-ShareAlike. . However, the date of retrieval is often important. by Google Cultural Institute (Public Domain), Moses Drawing Water from the Rock by Tintoretto. Major works include St. George and the Dragon, now in the National Gallery in London, and his cycle of paintings for the Scuola di San Rocco in Venice. 1562), in which a thunderstorm is painted with the same dramatic intensity as the principal figures. A multitude surrounds the cross—soldiers, followers of Christ, mockers, pagans, and contemporaries of Tintoretto (clearly marked as portraits), who behold the sacred scene as if it were happening now. Jacopo Tintoretto nel quarto centenario della morte. Ancient History Encyclopedia. Died: December 3, 1919 The energy that Tintoretto then instilled in his figures with their unusual poses - what would become known as Mannerism - and the rapidity with which he sketched using chalk or paint in order to capture the fluidity of movement of the human body, all acted as a major influence on artists who followed in the 17th century CE. Tintoretto's paintings Are celebrated for the lighting, distorted perspectives & relentless action within the scenes. Worked on between 1592 and 1594 CE, the Last Supper is recognised as a tour de force of Mannerism. When Peter refused to allow this, Christ replied that if Peter would not allow him to wash his feet then he had no place with him. Image: Detail from Jacopo Tintoretto, Self-portrait © The Art Archive/Musée du Louvre, Paris/Gianni Dagli Orti. The sensation of this ultimate gentleness, after the first riotous impact, is particularly touching and in essence not different from what we find (although brought about by very different means) in the pictures of Titian and Paolo Veronese. Written by Mark Cartwright, published on 01 October 2020 under the following license: Creative Commons Attribution-NonCommercial-ShareAlike. Tintoretto's paintings often show quick brushstrokes, at least in the final layers of the work. After his death in 1594, the Tintoretto workshop continued to operate into the 1630s under the control of his painter sons, Domenico and Marco. Ancient History Encyclopedia Limited is a non-profit company registered in the United Kingdom. The most useful work on Tintoretto in English is still Hans Tietze, Tintoretto: The Paintings and Drawings (1948), although it shows touches of an expressionist bias. However, the fact that the confraternity did not take possession of the painting until 14 years after its completion suggests the work was rather too radical for immediate acceptance. The tension caused by this polar movement is something that can be seen in many of the artist’s paintings. Tintoretto, though, was a superb draughtsman, and here he differed from his one-time master, who preferred the technique of colore (or colorito), that is using the juxtaposition of colours to define a composition, to that of disegno, the technique which emphasised the importance of defining form using lines. The effect was achieved by the artist first creating miniature wax models of the figures he wanted to paint and assembling these models inside a box. The naked figure of Susanna and the silver-coloured elements of the composition are strikingly bright compared to the gloomy elements of the background. The god Jupiter takes the mortal woman Semele as his mistress and makes her pregnant. Find out more. Forms twist and writhe in arbitrary fashion within a vertiginous spatial recession that relegates the protagonist to the far distance. . He appears to have lived and worked for most of his life in Venice, only once being recorded on a visit outside of the city, to Mantua … Biography. Tintoretto was buried in the church of Madonna dell’Orto. In very early works, such as the dramatic Christ among the Doctors (c. 1541–1542, Museo del Duomo, Milan), Tintoretto's style and technique pointedly depart from Titian's long-established naturalistic idiom. Appropriately enough, the artist would become famous for the vibrant colouring in his work. It was also at this workshop that Tintoretto trained his son, Domenico Tintoretto (c. 1560-1635 CE) who later became a famous painter in his own right, particularly of portraits. "Tintoretto Tintoretto (c. 1518-1594 CE), real name Jacopo Robusti, was an Italian Renaissance artist who specialised in religious, mythological, and portrait paintings.

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