Certainly the more or less ubiquitous utilization of masks presents a completely different visual landscape on a human level than we’re accustomed to. We knew that was always part of the core of that episode and as a result, we knew very early on, or I knew very early on as a director, that the piece was going to be set in the late 1930s and that it was going to cover certain narrative beats. How does it feel to be vindicated for a project to be seen almost as clairvoyant? We just tried to be as truthful and as honest as we possibly could in the depictions of the characters in the story. Stephen Williams: Yeah, in terms of the original characters from Watchmen, we chose the ones that we felt were necessary to execute our iteration; our remix, as Damon refers to it. Were you nervous about the episode standing apart from the season? For cast, for crew, for all of us. Watchmen was the most probably surreal experience of my life, because I almost felt like I was living in the TV show in a way that deeply affected me. / ... Once the story is underway, genre then allows you to attach bigger ideas and address bigger themes and put characters in collision with each other - all held together by the narrative glue that genre affords. At the same time, lynching occupies such an ugly part of our nation’s racial history, so it was important to us to be honest about the subjective experience of the near lynching that appears in the episode, without being exploitative. Harlem’s Kitchen is based on a script written by Zahir McGhee; it’s about a black restauranteur and his family. Beyond that, to put some meat on those bones, it felt like black and white was probably the best choice to evoke that time period in which that portion of the story was taking place. I don't know that anybody involved with the project would lay any claim to particular clairvoyance. He served as an executive producer and director of HBO's Watchmen. But I will say that any effort towards greater inclusivity, greater diversity, and greater representation – whether it pertains to race, gender, sexual orientation, or measured across any other vector of fairness and justice – is not only meet and right, but will be part of producing a cultural canon that is reflective of the world that we live in, and is consequently interesting and essential. What other symbolism can be found in the retro look? The decision to go black and white for Episode Six, "This Extraordinary Being," was partly intuitive; it felt right. And to separate it from present day events, and also from the slightly colorized memory pops that intruded their way into what are essentially the curated memories of Will Reeves. So that’s something that’s really exciting. It really is when the show's fantastical alternate timeline and our own really intersect, and the show's mission becomes clear. STEPHEN WILLIAMS: You know, you’re right. We wrapped arms around everybody and encouraged us all to be as respectful of each other and as honest and compassionate with each other as we possibly could be. When the first season ended, Damon Lindelof said he was done and it made sense. You are painfully aware of how risky that all is; it’s either going to work or it’s going to be a disaster. Arnold Schwarzenegger to Make TV Debut Starring in New Spy Series, Peyton Reed Says ‘Ant-Man 3’ Will Be “Bigger” and “More Sprawling”. There are a number of factors that are taken into consideration when those decisions are made. (Spider-Man Retro Series), HBO’s Watchmen: Biggest Changes to the Book’s Ending, B Positive Review: Two Stars Are an Appealing Match in CBS’ Kidney-Com, Top commander of U.S. space forces: Space should be peaceful, bad actors will be held accountable, Lil Pump Stumps at Trump Rally, John Legend & Lady Gaga for Biden. Fox Says Joe Biden’s Already Acting Presidential, ‘Free Guy’ & ‘Death On The Nile’ Unset: December Theatrical Release Calendar Melts Down, Howard Bloom “Space Solar Power – The Solution To Man-Made Climate Change”, The Highly Anticipated Documentary “The Grand Unified Theory Of Howard Bloom” Available July 21st, 2020, “Nights After NAMM” Goes To The Dark Side For Charity, Subscription-based social network MeWe launches premium features and a business product, Coral raises $4.3M to build an at-home manicure machine, Venom and Carnage Clash at the Disney Store. That's why characters like Laurie Blake appear in our version, because … But in this case, I knew that the visual language that I wanted to deploy to tell the story involved; the use of really, really long takes and that scenes were going to have to work and hold together in every regard, from top to bottom. © 2020 Collider Cryptomedia, Inc. All Rights Reserved. In particular, I’m thinking of the choice to film much of the episode’s lynching sequence from the point of view of the character. But we are content with the story that we told, and that's the leg of the race that we ran. Big Brother 21’s Nick, Tommy & Jessica Apologize For Racist Text Messages. Having said that, and I believe that Damon has gone on record saying this: if someone else were to pick up the mantle of Watchmen and do their own iteration, that's something that I think the source material - meaning the original graphic novel that Alan Moore created in the 80s - is rich enough to invite that additional exploration. Who is Gritty, and why is he Donald Trump’s mortal enemy? I was unable to work on Leftovers, I’d just been booked on other things and timing didn’t work out for that show, but obviously had a great experience working with Damon on Lost and was very eager to collaborate with him again. How do you navigate the gray space between them? So, these ideas have been present for a very long time. In some cases, they include action; in some cases, they include complicated visual effects. We just kept our heads down and tried to do the work as best we possibly could.

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