When Khan escapes from a 15-year exile to exact revenge on Kirk, the crew of the Enterprise must stop him from acquiring a powerful terraforming device named Genesis. Bennett convinced Shatner that he could age gracefully like Spencer Tracy; the producer did not know that Shatner had worked with Tracy on Judgment at Nuremberg (1961), and was fond of the actor. The orbital office complex from The Motion Picture was inverted and retouched to become the Regula I space station. [10] Fletcher said, "My intention with Khan was to express the fact that they had been marooned on that planet with no technical infrastructure, so they had to cannibalize from the spaceship whatever they used or wore.

Additional light effects such as auroras were created by the ILM animation department. [13], To save money on set design, production designer Joseph Jennings used existing elements from The Motion Picture that had been left standing after filming was completed. "[68], The film's pacing was praised by reviewers in The New York Times and The Washington Post as being much swifter than its predecessor and closer to that of the television series. "They're not colors you see today, so in a subtle way [they] indicate another time. Before dying of radiation poisoning, Spock urges Kirk not to grieve, as his decision to sacrifice himself to save the ship's crew was a logical one. It was a box office success, earning US$97 million (equivalent to about $257M in 2019) worldwide and setting a world record for its first-day box office gross. Khan implants Chekov and Terrell with indigenous eel larvae that render them susceptible to mind control, and uses them to capture Reliant. Fletcher decided to use the dark red due to the strong contrast it provided with the background. An even earlier working title for the Trek film was The Undiscovered Country, a title which would eventually be used for the sixth film of the franchise. The plot features Admiral James T. Kirk ( William Shatner ) and the crew of the starship USS Enterprise facing off against the genetically engineered tyrant Khan Noonien Singh ( Ricardo Montalbán ), a character who first appeared in the 1967 Star Trek episode " Space Seed ". ", "Jeri in the Sky with Diamonds: Jeri Panek's lifetime of achievement", "Particle Systems—A Technique for Modeling a Class of Fuzzy Objects", "Dragon's Lair and the Laser Game Craze - Daring Discs", "The Collective: TRU Exclusive Figure Revealed + Timeless Geordi Arrives", "FSM Releasing Complete Soundtrack For Star Trek II: The Wrath of Khan", "Review; Star Trek II: The Wrath of Khan – The Director's Edition", "Review: Star Trek II: The Wrath of Khan", "Revenge of the Movie: 15 Sequels That Are Way Better Than The Originals", "Star Trek: The Wrath of Khan Capsule review", "Interview – Roberto Orci On Why He Is A Trekkie & Making Trek Big Again", "Exclusive: Lindelof Talks Trek Essentials + Lost/Trek Connections", "Is Into Darkness truly a remake of Wrath of Khan? I have never read such utter rubbish, it's called an earwig, because in the old days it was mostly found on ears of corn. [12]:245, As a gesture of good faith, Paramount changed the film's title from its original working title, The Vengeance of Khan, as it was too close to the working title for Lucasfilm's upcoming Star Wars film. [48] Craig Huxley performed his invented instrument—the Blaster Beam—during recording, as well as composing and performing electronic music for the Genesis Project video. The scene of Spock's casket on the planet and Nimoy's closing monologue were added; Meyer objected, but did not stand in the way of the modifications.
The project was supervised by Paramount's television unit rather than its theatrical division.
[62][63][64][65] Pauline Kael of The New Yorker called the film "wonderful dumb fun. [26] He had the idea of making a list consisting of everything that the creative team had liked from the preceding drafts—"it could be a character, it could be a scene, it could be a plot, it could be a subplot, [...] it could be a line of dialogue"—so that he could use that list as the basis of a new screenplay made from all the best aspects of the previous ones. )[28] Sallin was impressed with Meyer's vision for the film: "His ideas brought dimension that broadened the scope of the material as we were working on it. [12]:243 (Hornblower was an inspiration to Roddenberry and Shatner when making the show, although Meyer was unaware of this. This script was considered inadequate;[23] the aliens resembled too closely the villains on a typical TOS (Star Trek: The Original Series) episode. "[21] Gene Roddenberry disagreed with the script's naval texture and Khan's Captain Ahab undertones, but was mostly ignored by the creative team. [10] Meyer made sure to emphasize Kirk's parallel to Sherlock Holmes in that both characters waste away in the absence of their stimuli; new cases, in Holmes' case, and starship adventures in Kirk's. Phaser damage was created using stop motion. Spock notes that Khan's tactics indicate inexperience in three-dimensional combat, which Kirk exploits to disable Reliant. They wanted something different, more modern.


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