The Writer claims he is This aural impression is quickly subverted by the muffled sound of Beethoven's Ninth Symphony. The elements that make “Stalker” so intriguing a film for me lies in the imagery captured within the Zone. Upon release, the film garnered mixed reviews initially before receiving overwhelmingly positive reviews over the following years, thus becoming a near cult film with many praising Tarkovsky's directing, visuals, themes and screenwriting. According to an interview with Tarkovsky in 1979, the film has basically nothing in common with the novel except for the two words "Stalker" and "Zone". Aug 5, 2014 - This Pin was discovered by Ruth. In the story Stalkers are guides, specialists who make a living navigating clients through the dangers of the Zone. While the Stalker leaves his house and wanders around an industrial landscape, the audience hears industrial sounds such as train whistles, ship foghorns, and train wheels. recent Annihilation, which borrows of Tarkovsky’s best-known and most revered productions. The Stalker insists he has no motive beyond the altruistic aim of aiding the desperate to their desires. However, when the crew returned to Moscow, they found that all of the film had been improperly developed and their footage was unusable. Instead, he disassembles his bomb and scatters its pieces. [25] Critic Derek Adams of the Time Out Film Guide has compared Stalker to Francis Ford Coppola's Apocalypse Now, also released in 1979, and argued that "as a journey to the heart of darkness" Stalker looks "a good deal more persuasive than Coppola's. The film had been shot on new Kodak 5247 stock with which Soviet laboratories were not very familiar. [4], The film was awarded the Prize of the Ecumenical Jury at the Cannes Film Festival, and the Audience Jury Award – Special Mention at Fantasporto, Portugal. Upload or insert images from URL. [21] For this part of the film Tarkovsky was also considering music by Richard Wagner or the Marseillaise. "He (Tarkosvky) worked closely with set designers, paying attention to the smallest detail in the frame", "Tarkosvky's tireless assistant in preparation of each frame was art-director from Kazan Rashit Safiullin", he's always very involved in each shot, from what i have seen in the bts footage. Rerberg felt that Tarkovsky was not ready for this script. Display as a link instead, × and divining the ever-changing path to the Room. "[22] Emerging from the tunnel called the meat grinder by the Stalker they arrive at the entrance of their destination, the room. The longest tracking shot is the close-up so it is possible that they built a track or wooden platform (painted black perhaps) and you just can't see the receding track or platform behind the actor's body in the darkness. These sounds grow richer and more audible while the Stalker makes his first venture into the Zone, initially leaving the professor and the writer behind, and as if the sound draws him towards the Zone. The sound becomes louder and clearer over time until the sound and the vibrations of objects in the room give a sense of a train's passing by without the train's being visible. reclaim the land, most of the Zone is an ugly reflection of consumption and The opening sequence of the film showing Stalker's room is mostly silent. The Stalker tells his clients they must do exactly as he says to survive the dangers which lie ahead and explains that the Zone must be respected and the straightest path is not always the shortest path. Artemyev proposed to try this idea with the motet Pulcherrima Rosa by an anonymous 14th century Italian composer dedicated to the Virgin Mary. × They used an actual real Mitchell camera to start with and zeiss disatagon lenses of T1.4 (non Jena I assume) but then switched to a soviet clone of the mitchell called an IOS camera. He hoped it would allow him to make a film which conforms to the classical Aristotelian unity; a single action, on a single location, within 24 hours (single point in time).[7]. Periodically one hears what could be a train. When the three arrive in the Zone initially, it appears to be silent. But elevating it to the As the Stalker sleeps, his wife contemplates their relationship in a monologue delivered directly to the camera. The film contains 142 shots in 163 minutes, with an average shot length of more than one minute and many shots lasting for more than four minutes. Artemyev knew about a musical piece from Indian classical music where a prolonged and unchanged background tone is performed on a tambura. Tarkovsky ignored him and continued shooting. The journey in the Zone ends with the three sitting in the room, silent, with no audible sound. desecration. :). Tarkovsky was amazed by the result, especially liking the sound of the tar, and used the theme without any alterations in the film. The Zone contains a place called the "Room", said to grant the wishes of anyone who steps inside. In a rundown bar, the Stalker meets his next clients for a trip into the Zone, the Writer (Anatoly Solonitsyn) and the Professor (Nikolai Grinko). [18], In its original form Tarkovsky did not perceive the motet as suitable for the film and asked Artemyev to give it an Oriental sound. It begins outside the Zone. A breeze can be heard, but no visual reference is shown. [citation needed], In an interview on the MK2 DVD, the production designer, Rashit Safiullin, recalled that Tarkovsky spent a year shooting a version of the outdoor scenes of Stalker. your own Pins on Pinterest [citation needed], The central part of the film, in which the characters travel within the Zone, was shot in a few days at two deserted hydro power plants on the Jägala river near Tallinn, Estonia. In the opening and the final scene Beethoven's Ninth Symphony was removed and in the opening scene in Stalker's house ambient sounds were added, changing the original soundtrack, in which this scene was completely silent except for the sound of a train. The cinematographer for the 1977 Stalker, Georgy Rerberg, was fired by The film contains 142 shots in 163 minutes, with an average shot length of more than one minute and many shots lasting for more than four minutes.   Your link has been automatically embedded. Sound designer Vladimir Sharun recalled: "We were shooting near Tallinn in the area around the small river Jägala with a half-functioning hydroelectric station. While the camera slowly pans to the right, a waterfall appears. Sound designer Vladimir Sharun recalled: "We were shooting near Tallinn in the area around the small river Jägala with a half-functioning hydroelectric station. [9] In addition to remixing the mono soundtrack, music and sound effects were removed and added in several scenes. is science fiction, but there’s nothing Watching “Stalker” is a meditative experience, a deliberately paced narrative that relies heavily on Director of Photography Alexander Knyazhinsky’s slowly moving or static camera. Since it was shot in 1978 I doubt the use of steadicam. example. Officials at Goskino, a government group otherwise known as the State Committee for Cinematography, were critical of the film. This had the afore mentioned Cooke Zoom on it which is what most of the movie was shot on. Discover (and save!) your own Pins on Pinterest [13], In the final film score, the boundaries between music and sound were blurred, as natural sounds and music interact to the point where they are indistinguishable. you wish for, you may get it.”, I no longer scratch my head when I see something like Stalker praised as one of the best films the dolly grip, sergej bessmertnyj, actually published a long post in livejournal about his work on "stalker", the post is in russian, but has incredible behind the scenes photos, including a very early version of steadicam http://ic.pics.livejournal.com/immos/12057266/36034/36034_original.jpg, it seems that their basic dolly set up was on rails using metal wheels http://ic.pics.livejournal.com/immos/12057266/35410/35410_original.jpg. what would make them happy, whether happiness is possible for human beings, and It earned a place in the British Film Institute's "50 Greatest Films of All Time" poll conducted for Sight & Sound in September 2012. it is recommended viewing material for anyone serious about film. Some shots within the Zone were filmed in Maardu, next to the Iru power plant, while the shot with the gates to the Zone was filmed in Lasnamäe, next to Punane Street behind the Idakeskus.

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