Words: 1376; Category ... / Off, woman, off! Comparatively, Coleridge presents Geraldine’s undressing as some type of show. As we all know, "vampires" cannot be encompassed in the light. It mainly dealt with the relationship between a father and his daughter. Free essays, essay examples, sample essays and essay writing tips for students. Geraldine presented signs to her that Christabel should have recognized as uncanny yet she fails to see Geraldine’s true nature which leaves her vulnerable to corruption. Coleridge represents Eve though the character Christabel, an innocent young maiden whose naiveté makes her easily corruptible. Coleridge highlights the naiveté and poor judgement of Christabel through her blind following of Geraldine and therefore places some of the blame onto Christabel for her own corruptibility. Coleridge’s reworking of the characters of Eve and Satan from Paradise Lost creates a version of the story that eliminates all male culpability and places all blame onto women. Geraldine acts as the “Satan” in Christabel through her role as the corrupter of Christabel’s innocence. It is very evident that the two women are sexually attracted to each other and act upon their feelings in a small way. Gothic elements in Christabel Essay. Coleridge continues and describes how “she unbound / The cincture from beneath her breast: / Her silken robe, and inner vest / Dropt to her feet, and full in view,” (l.248-251). Coleridge’s reworking therefore can be read as placing the blame for the fall of humanity and all of the adverse effects that emanate from it onto women. 07 Nov. 2020. The poem is the beginning of a tale about a demon or vampire. The palfrey was as fleet as wind, And they rode furiously behind. Coleridge’s version of Eve emphasizes the corruptibility of woman and places part of the blame for the fall onto Christabel because she’s naïve and falls for Geraldine’s charms. Geraldine uses her inherent female sexuality to corrupt Christabel and expose her to her own sexuality. What are the traits of a fairy tale? Retrieved 10:57, November 07, 2020, from https://www.megaessays.com/viewpaper/103037.html. From the outset of the poem, Coleridge aligns Geraldine with sexuality. At the end of the poem, Coleridge discusses the irrational anger of a parent toward a child. This description of Christabel’s breasts represents the first time Coleridge ascribes any type of sexuality to Christabel. Coleridge represents Eve though the character Christabel, an innocent young maiden whose naiveté makes her easily corruptible. ... Continue reading this essay From the outset of the poem, Coleridge emphasizes Christabel’s naiveté through the way she makes herself vulnerable to dangerous situations. The narrator asks, “What makes her in the wood so late / A furlong from the castle gate?”, which encourages the reader to question Christabel’s judgement (l.25). In Samuel Taylor Coleridge's poem, Christabel, the resemblance to a fairy tale is uncanny. Said Christabel, How camest thou here? In addition to placing herself in a questionable situation from the outset of the poem, Christabel ignores the ominous signs surrounding Geraldine and allows Geraldine into her bed where the corruption of Christabel takes place. […], Sleep Rough Tonight, written by Australian author Ian Bone, addresses the idea of cultural violence and the effect it has among teens. Do you need urgent assistance in writing high school, college or university academic papers? The focus on Geraldine’s eyes ties back to Milton’s description of a snake, illustrating Coleridge’s allusion of Geraldine as his version of Satan. At the opening, it is midnight. In his poem Christabel (1816), Samuel Taylor Coleridge revises John Milton’s Paradise Lost to create a version of the fall of humanity that is wholly feminine. If you disable this cookie, we will not be able to save your preferences. The revealing of this “mark” represents the most overt signal of Geraldine’s true identity, yet Christabel ignores it and gets into bed with her. Coleridge’s version of Eve differs from Milton’s version of Eve in that while Satan had to tempt Eve into eating the apple by using her desire for knowledge, Christabel fails to even question Geraldine’s actions and goes along with her whatever she says, despite overt signs not to. In Paradise Lost the role of sexuality in corruption was ambiguous and the overt causes of the fall were knowledge and ambition. Christabel ventures into the woods when “the night is chill, the cloud is grey,” creating an eerie setting that leaves the reader on edge in anticipation for an impending danger (l.20). Her bare neck and arms imply some sort of nudity and define Geraldine’s sexual nature. The characterization of Christabel is explained through Christianity, “the fall of innocence” and purity (Radley 69), and “the transition from “innocence” to “experience” (Harding 40). Coleridge’s version of the fall unambiguously targets the feminine trait of sexuality as the cause of the fall and emphasizes Christabel’s naiveté and Geraldine’s deceptive nature to paint woman as wholly culpable for the fall therefore placing the blame for all of the human suffering that comes from the fall onto women. ’tis given to me. Coleridge highlights Christabel’s naiveté and poor judgement to illustrate that she holds some of the blame for her corruption. This differs from Milton’s Paradise Lost because although sexuality plays a role in the poem, he portrays Eve’s sexuality as innocent until after the fall, when it becomes lustful and sinful. Christabel The lady strange made answer meet And her voice was faint and sweet. Satan’s reconstruction in the form of Geraldine eliminates all male culpability in the fall by making both actors in the fall female. The sibilance created through the repetition of the “s” sound refers to the hissing made by snakes. Coleridge describes Christabel undressing as “Her gentle limbs did she undress / And lay down in her loveliness,” (l.237-238). The Wife of Bath’s tale is appropriate to her character, and perfectly complements the description of the Wife in the General Prologue of Geoffrey Chaucer’s late 1300s literary masterpiece The […], The central idea of Michael Ondaatje’s In the Skin of a Lion is the presentation of the marginalised voice, which is in keeping with his motivation to craft texts of […], Cormac McCarthy’s Blood Meridian is seen by critics as a uniquely violent and powerful work of modern literature, and McCarthy achieves such an arresting mood through the sheer depravity of […], The idea that our American literary culture has been influenced since its inception by Britain’s is not a new one; after all, the two countries are rather like two branches […], Less than a decade after Karl Marx completed his philosophical work, The German Ideology: Part I, Charles Darwin was finally persuaded to publish his biological masterpiece, The Origin of Species. This is the first hint that Geraldine is an evil spirit. Also, when Christabel says a prayer of thanks to "the Virgin", Geraldine does not cannot join her in doing so. In his poem Christabel (1816), Samuel Taylor Coleridge revises John Milton’s Paradise Lost to create a version of the fall of humanity that is wholly feminine.

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