He sings: We will be seen but not be heard. He notes that his life is a mess and then it's not worth living if he's not going to change or be sober enough to enjoy and remember the things he set out to do (If this is what you call the good life, I want a better way to die). Now. After the band took a break from political talk on their 2012 trilogy of albums ¡Uno!, ¡Dos!, and ¡Tré!, Revolution Radio sees Green Day re-examining society’s ills, with songs … Billie fights hard because he realizes that this life of drugs isn't getting him anywhere good anytime soon. Oh I, I wanna start a revolution I wanna hear it on my radio I'll put it off another day. By moving on, they’ve essentially become Outlaws forever. The song starts off with the author’s hopes and dreams (where can I find the city of shining light) how he yearns to make it big and find a lavish place to live in. '” One line, “Teach your children well from the bottom of the well,” is a direct reference to other current events:  “It’s thinking of Flint, Michigan, and trying to educate your kids while they’re drinking toxic waste,” Armstrong says. I'm like a child looking off on the horizonI'm like an ambulance that's turning on the sirensOh I'm still alive, I'm like a soldier coming home for the first timeI dodged a bullet and I walked across a landmineOh I'm still alive, Am I bleedingAm I bleeding from the stormJust shine a light into the wreckageSo far away, away, 'Cause I'm still breathing'Cause I'm still breathing on my ownMy head's above the rain and rosesMaking my way away, 'Cause I'm still breathing'Cause I'm still breathing on my ownMy head's above the rain and rosesMaking my way awayMy way to you, I'm like a junkie tying off for the last timeI'm like a loser that's betting on his last dimeOh I'm still alive, I'm like a son that was raised without a fatherI'm like a mother barely keeping it togetherOh I'm still alive. Now, you have to sort of learn how to breathe a little bit more. Shopping Cart. Being one of the more political tracks, this song touches on the issues of politics and issues to the public. Despite the police supposedly having a duty to protect civilians, it seems that they are under rule and are ordered to kill anyone who disobeys them. After all, what's the point of accomplishing something if you can't even remember it the next day? I have never been good at boredom. Green DayRevolution Radio Limited Red Vinyl. And it just sort of happened. He soldiers on and even starts writing music again (I want to start a revolution, hear it on my radio). Send us a tip using our anonymous form. Recently Added. “I started getting dizzy.”- Rolling Stone. The next verse shows his dying hope, how his last shred of optimism is getting flushed down the gutter as the days go by (loser betting on his last dime). Release Date: October 7, 2016Length: 44:29Studio: OTISLabel: Reprise RecordsProducers: Green DaySingles: Bang Bang, Still Breathing, Revolution RadioRIAA Certification: None (less than 0.5 million in sales)Billboard 200 Peak: #1 (1 week) – 16 weeks on the chartTop Rock Albums Peak: #1 (1 week) – 17 weeks on the chart. Concrete dream, I'm gonna make a sceneRadio, covered in gasolineSleeping in reverseAnd everybody's bouncing off the walls, Bombs away, it's just another dayOf idle threats, the secret alphabetAnd I wouldn't sweat itEverybody's bouncing off the walls(I'm bouncing off the walls), Concrete kiss, come on and do the twistThe Radio, my little exorcistWe're all getting pissedAnd everybody's bouncing off the walls, 'Cause it's all that I wantAnd I want to be freeI got Satan riding next to me'Cause we're all bloody freaksAnd we'll give you the creepsChasing fireflies and zeroes, A junkie on the verge of death, a gambler about to lose everything and a wounded soldier on the front lines are all characters in a slow-building, unsettling track. When he wrote this loping track, Armstrong was reacting to images of armored military-style vehicles in the streets of Ferguson, Missouri. “I think it’s so relatable, whether it’s going to your job or going to the dentist.” Another lyric, “How did life on the wild side get so dull,” touches on Armstrong’s post-rehab struggles: “How do you deal with dealing with yourself? 1. There were goosebumps in the room.”- Rolling Stone. He begins to look at other people, what their desires are (what would you wish) as the author finds himself lost even after spending most of his life searching for a reason to live (walk to the end of the earth and afar). The song mostly touches on the violence and wars that are widespread throughout the world. The idea came to him in New York two years ago when he ran into a Black Lives Matter protest; before he knew it, Armstrong had gotten out of his car and was walking up Eighth Avenue with the throng. "The first thing you need to do is get educated," he told Rolling Stone. Looking for a causeBut all I got was camouflageI'm hanging on a dream that's too dumb to dieI feel like a celloLost somewhere over the rainbowWay up high, too scared to dreamBut too dumb to die, An ominous rocker that surveys an America on the brink of disaster, full of racial unrest and economic inequality. Full song, includes solo and rhythm and lead parts (where there is a notable difference between them). Revolution Radio is Green Day’s twelfth studio album released October 7, 2016. I'm a Green Day fan since 2004 and my first Green Day album I bought and listened was American Idiot. I didn’t think about it too much. “You can just be that little kid in your room and feeling like a rock god.” It begins with a lyric  – “My name is Billie and I’m freaking out” – that Armstrong calls “the most honest line I’ve ever written,” and ends with the refrain “I ain’t gonna stand in line no more”: “It’s like a slogan for a demonstration,” says Armstrong. He feels he needs someone to shine a light into him but he feels that everyone is just too far away. “You can just be that little kid in your room and feeling like a rock god.” It begins with a lyric  – “My name is Billie and I’m freaking out” – that Armstrong calls “the most honest line I’ve ever written,” and ends with the refrain “I ain’t gonna stand in line no more”: “It’s like a slogan for a demonstration,” says Armstrong. “Like, I’m not going to accept the status quo or I’m not going to be manipulated. It is evident that without change (the world stops turning), the dream of paradise and equality for everyone is slowly withering away. All that they wanted was to enjoy life while it lasts without worrying about tomorrow. x … “I was screaming, ‘Hands up, don’t shoot,’ ” he says. He feels optimistic as he feels he would survive his internal struggles as a soldier coming home (I dodge a bullet, I walk across a landmine, I’m still alive). My personal favorites off this album are "Somewhere Now", a cleverly disguised punk power ballad that triumphs once the bridge ends and erupts into a sing-along chorus full of tight harmonies. The song starts off with Billie recalling his rehab sessions and how he first introduced himself to his therapist (My name is Billie and I'm freaking out). Before it was, I’ll have a beer. The song basically sums up the realization that regardless of what’s happening or what we plan to do, that sometimes living in an ordinary world is all that we need. “But at the end, when we bring in that big chorus where everything is overlapping with each other and heading back into that riff, it was just fucking beautiful.”, “I saw this song change so many times,” adds Tre Cool. The song is essentially a throwback to Christie Road with the song starting off looking back at the author’s youth (life after youth faded in twilight).It seems as though the author found love here and also, the group that resided in Christie Road had some arguments/fights (first forgiveness). He also talks about the secret alphabet, possibly referring to how certain high tier jobs require lots of studying and may be nothing more than gibberish to the normal person (I wouldn’t sweat it). Revolution Radio is Green Day‘s first album in 15 years with no extra twist – no high concept, no triple LP – but it’s full of fiery politics and big emotions. '” The song began as three unrelated pieces that Armstrong jammed together: “It was really hard,” he says. “Still Breathing”A junkie on the verge of death, a gambler about to lose everything and a wounded soldier on the front lines are all characters in a slow-building, unsettling track. It’s like, ‘What do we want? Revolution Radio. “You can’t educate people if they’re that desperate. It seems the interlude might be directed to his found love at that time as they break up and he blames it on how she was too young to understand his viewpoint (I plead my innocence but that’s my best defence). And it just sort of happened. The second verse continues to look at the activities the group took part in before the fallout (scars, broken hearts). The introduction to the song can be seen as either a break from Youngblood or how the author is recalling his old days and dreams (sentimental illness) in his current boring life. Top Lyrics of 2011. He doesn't want to lose this all to drugs because he's worked so hard all his life for this moment. The song starts off with the author thinking about the different scenarios of how being alive and bored (child looking off) is better than most circumstances of being alive like being brought away from a freak accident (ambulance turning on the sirens). My name is Billie and I'm freaking outI thought therefore I wasWell I can't really figure it outI sit alone with my thoughts and prayersScream out my memories as if I was never there, Standing at the edge of the worldIs giving me the chillsLooking down the edge of the worldLost in a tango it's freaking me outBurning lights and blackouts, From the edge of the worldFrom the edge of the world, I'm like a punk rocker on Labor DayHow the hell did I work so hard to be born this way?I never learned to read or write so wellBut I can play the guitar until it hurts like hell, If this is what you call the good lifeI want a better way to dieIf this is what you call the good lifeI want a better way to die, Oh I don't want to think about tomorrowDon't want to think about it, OhIt doesn't matter anyway, Oh I, I wanna start a revolutionI wanna hear it on my radioI'll put it off another day, I want a new conspiracyAnd the silence of a thousand criesSo hurry upI want a better way to die, I'm running late to somewhere nowThat I don't want to beWhere the future and promisesAin't what it used to be. Work on what would become Revolution Radio began in 2014, following the 99 Revolutions Tour, in support of ¡Uno!, ¡Dos!, and ¡Tré! “I felt like I was on the right side of history. "Bouncing Off the Wall" 7. 5. He needs help and he's begging for things to get better. “Youngblood”This power-pop nugget is dedicated to Armstrong’s wife of 22 years, Adrienne. Green Day is an American punk rock band formed in 1986 by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. - song meaning written by u/potlah on r/GreenDay, I'm running late to somewhere nowI don't want to beWhere the future and promisesAin't what it used to beI never wanted to compromiseOr bargain with my soulHow did life on the wild sideEver get so dull, All grown up and medicatedI'm high on cellular wavesI put the "riot" in PatriotAnd we all die in threes, I got a seat in the middle of the roadI'm gonna take my timeI shop online so I can voteAt the speed of lifeI'm like a drone way up in the skyI'm a shooting starThere's a soldier that's freaking outP.S. Review Summary: Flawed but a step into the right direction…. Revolution Radio is a short and catchy blend of political anger and personal wistfulness. He sees optimism as a drug and how he always says tomorrow will be better (junkie tying off for the last time) but he knows nothing will change. He shows his viewpoint by saying how the victims on screen dead while the shooters remain well-fed. The entire album was recorded with no outside influence from producers or their record label. REVOLUTION RADIO TAB (ver 3) by Green Day @ Ultimate-Guitar.Com Spring Sale: Pro Access 80% OFF The next verse talks about Billie's work life, how he recalls that he never enjoyed school (409, never learned to read or write) and that all he has ever done is play music because it's what he truly enjoys in life (but I can play the guitar until it hurts like hell). Soon, his music gets popular and everyone listens to it understanding how bad their jobs are (we’re all getting pissed). I remember my father being on strike a lot. “But at the end, when we bring in that big chorus where everything is overlapping with each other and heading back into that riff, it was just fucking beautiful.”, “I saw this song change so many times,” adds Tre Cool. After more than a decade of rock operas and stunt releases, the Bay Area trio sound liberated by their 12th LP’s lack of conceit. Be the first to review this product. “Revolution Radio”“Give me cherry bombs and gasoline!” Armstrong sings on the title track. Everyone is anxious about where they truly fit as their friends are leaving them so easily and quickly. “The scary thing was when I went into the character’s head,” says Armstrong. The truth that in fact no one will really find him or save him. "Revolution Radio" 4. Billie Joe Armstrong, Green Day, Mike Dirnt, Tre Cool. "Ordinary World" The song is kind of like feeling like, 'Is anything really changing?'". At his current point of life, he feels as though no one was ever really there to help him out or stay (son raised without a father) and how his life is barely kept together. "Too Dumb to Die" 10. The chorus shows that the author is willing to kill people for fame (bang, bang, give me fame) or die trying (shoot me up for entertainment). 1. Full of catchy hooks and excellent songwriting, 'Revolution Radio' reminds me of a sonic return to their album 'Dookie', which made me a fan of Green Day. Life after youthFaded in twilightThe dawn of a criminal in bloom, First loveFirst forgivenessWe were delinquentsFreaks of a faded memory, Outlaws, when we were forever youngWhen we were outlawsWe're outlaws of redemption babyHooligans, we destroyed suburbiaWhen we were outlawsThe outlaws of forever, Scars, broken heartsBreaking in carsRunning in the light of the moon, Lost soulsBottle rocketsAll that we wantedIs for a life beyond the stars, I got no supervisionNothing will change my spiritsRace around with my innocenceI'll plead my innocenceBut that's my best defenceWhen you are young, I found a knife by the railroad trackYou took a train and you can't go backForever nowForever now, you'll roam, Originally titled “Concrete Dream,” and one of the last tracks to be added to the album, this one has a fun, semi-tossed-off feel: “It’s all that I want and I want to be free,” Armstrong sings over ricocheting chords. Billboard Hot 100. The rebels also point to the people indoctrinated by the media saying how the sheeple are fighting violently (give me cherry bombs and gasoline, debutantes in surgery) against the peaceful protests for the lies said in the media (in the headline legalize the truth). There were goosebumps in the room.”, 12. "Youngblood" 9. He comes to the conclusion that life isn’t about trying to make it big and die as a superstar but rather; is something to be valued and appreciated for the little things (baby I don’t have much but what we have is more than enough). Notes: With lessons learned from the failure of the Uno/Dos/Tre trilogy, Green Day went into their new studio OTIS and began work on the follow up in complete secrecy. Instead of moaning and groaning about how tomorrow is so far away and that getting better impossible, he realizes that in the long run, he will get better (I don't want to think about tomorrow, it doesn't matter anyway). In this song, Armstrong addresses the issue of what white people should do to support the cause. The idea came to him in New York two years ago when he ran into a Black Lives Matter protest; before he knew it, Armstrong had gotten out of his car and was walking up Eighth Avenue with the throng. “Outlaws”A swelling, wistful tune that looks back at the trio’s teenage punk days, “when we were outlaws/when we were forever young.” “I was feeling nostalgic,” says Armstrong, “thinking about when me and Mike would break into cars and steal tapes and lighters and shit like that.” The band sees it as a sequel of sorts to their 1992 track “Christie Road,” which mined the same period of their lives.
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