In 1939, Prokofiev salvaged his work by turning the film score into a cantata for mezzo-soprano, chorus, and orchestra. However, it is more accurate to say that this arrangement is a "hybrid" of the film score and the cantata, allowing the audience the opportunity to enjoy the film score cues using the expanded sound values of the cantata. The performance duration is approximately 55 minutes.[4]. Showing 1 - 10 of 36 results. He experimented with different microphone distances in order to achieve the desired sound. Это была нелегкая работа, и для того, чтобы сделать из этой музыки кантату, мне пришлось затратить гораздо более трудов, чем при первоначальном сочинении ее для фильма. So here, more than 50 years after the conception of Alexander Nevsky, we can witness the extraordinary visual imagination of Prokofiev captured in a soundtrack recording of what is probably the greatest film score ever written, in the authentic and unmistakable musical hand of its author."[15]. Prokofiev was heavily involved not just with the composition, but with the recording as well. In the Soviet film industry, as in other sectors of its state-controlled economy, demonstrating technical accomplishment was a high priority, and there is … The list appears to be incomplete, and the titles themselves are not particularly descriptive. Cantata after film score for Mezzo-soprano, Mixed chorus and Orchestra, Op. Прежде всего требовалось подвести под нее чисто музыкальные основания, построить согласно музыкальной формы, развить ее чисто симфонически, затем все наново переоркестровать, ибо оркестровка симфоническая совсем другого порядка, чем оркестровка для фильма. Excerpts from Queen of Spades, Eugene Onegin, Boris Godunov, Ivan the Terrible. Music not present in the cantata was transcribed by ear from the film. With special attention paid to tempos a 1993 recording of this version was matched to a new edition of the film, which was released in 1995. 1. Sergei Prokofiev conducted the Moscow Philharmonic Orchestra and Chorus in the Great Hall of the Moscow Conservatory, with soloist Varvara Gagarina (mezzo-soprano). In 1987, orchestrator William Brohn created a version of Alexander Nevsky that could replace the widely derided original soundtrack in showings of the film accompanied by a live symphony orchestra. While Alexander Borodin’s Polovtsian Dances and Sergei Prokofiev’s cantata Alexander Nevsky are full of primitive power and recount historical Russian war heroes, Sergei Rachmaninov's operatic scene Spring takes an intimate private drama as its theme. At the time the Brohn version was written, Prokofiev's original manuscripts of the film score were unavailable for study. Find items in … 'The Battle on the Ice' now concludes with a quiet and poignant instrumental repeat of the "In our native Rus'" theme from "Arise, Russian People!". The 'Charge of the Crusaders' is condensed, losing about half its length. The first recording of the film score reconstructed from the original manuscripts was made in 2003 by Frank Strobel conducting the Berlin Radio Symphony Orchestra and released on Capriccio Records. The majority of the score's song texts were written by the poet Vladimir Lugovskoy. By Sergei Prokofiev Jean-Claude Casadesus, … 78 (1938) (uncredited) Then, in 1938, Prokofiev collaborated with film director Eisenstein to create the score for the film Alexander Nevsky. This order of the cues does not appear to represent the sequence used in the film. Written by Sergei Prokofiev Alexander Nevsky, Cantata for Mezzo-soprano, Chorus, & Orchestra, Op. Alexander Nevsky, Op. If we could work out the technical issues, we could achieve a completely authentic re-creation of the film score which would allow audiences to hear what Prokofiev heard when he saw the magnificent images created by Eisenstein. Of the two Russian composers, Prokofiev led by far the … He experimented with different microphone distances in order to achieve the desired sound. Select a performer for this work. [citation needed]. The first column represents the cue numbers to which the titles likely correspond. Alexander Nevsky : op. 78 (Cantata for Chorus & Orchestra) Instrumentation: 3 flutes, 3 oboes, 3 clarinets, 3 bassoons; 4 horns, 3 trumpets, 3 trombones, tuba; strings; percussion. 78 : cantata for mezzo-soprano, chorus, and orchestra ; Scythian suite : Ala et Lolly : op. 78 (Cantata for Mezzo Soprano, Chorus and Orchestra): II. Alexander Nevsky was composed by Sergei Prokofiev as a film score for the 1938 Sergei Eisenstein film Alexander Nevsky. : The Crusaders in Pskov. Genre/Form: Songs and music Scores: Additional Physical Format: Online version: Prokofiev, Sergey, 1891-1953. Strobel conducted the Berlin Radio Symphony Orchestra and the Ernst Senff Chor, with mezzo-soprano Marina Domashenko as soloist.[4]. He later adapted much of his score into the large-scale cantata for mezzo-soprano, orchestra and chorus featured on this recording. I first needed to provide it with an exclusively musical foundation, arranged in accord with the logic of musical form, with purely symphonic development, and then completely reorchestrated—since scoring for orchestra is of an entirely different [order] than scoring for a film. Despite these many modifications, the order of events and music changes hardly at all, and the best music is not only preserved, but improved by larger instrumental forces, richer orchestration, added choral accompaniments, greater dynamic contrasts, and, obviously, greater continuity. PROKOFIEV Alexander Nevsky, Op. New Releases. It went on to become one of the composer's most popular works. 78 (Cantata for Mezzo Soprano, Chorus and Orchestra): I. Russia under the Mongolian Yoke . Although some 15 minutes of music from the film score are omitted, the cuts mainly consist of needless repetitions, fragments, soundscape, and a few instances of unmemorable music. This page was last edited on 8 May 2021, at 07:45. The table below shows the scenes and cues with the musical numbers (or accompanying action) they contain: Note: A gray background indicates numbers omitted in the cantata. He later adapted much of his score into the large-scale cantata for mezzo-soprano, orchestra and chorus featured on this recording. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Eisenstein, Prokofiev, and … Несмотря на мое старание подходить к музыке во время этой второй моей работы с чисто симфонической точки зрения, в ней остался известный элемент живописности, идущий от фильма и Эйзенштейна.». Crucial to the approach was that in the Cantata we had Prokofiev's own orchestration. Prokofiev employed different sections of the orchestra, as well as different compositional styles, to evoke the necessary imagery. Omissions: The table above (under "Film score") shows the cues and numbers omitted from the cantata. The Battle on the Ice [choir and orchestra] 6. Cantata after film score for Mezzo-soprano, Mixed chorus and Orchestra, Op. 78 Sergei Prokofiev Born 23 April 1891 in Sontzovka, Ukraine Died 5 March, 1953 in Moscow Prokofiev and Shostakovich are named in the same breath almost as frequently as Bruckner and Mahler – and with equal misconceptions as to their kinship. Russia under the Mongolian yoke (3:02) ; Song about Alexander Nevsky (3:35) ; The crusaders in Pskov (7:19) ; Arise, ye Russian people (2:13) ; The battle on ice (13:08) ; The field of the dead (5:54) ; Alexander's entry into Pskov (4:19) -- Scythian suite op. 'Rus' under the Mongol Yoke' now concludes with a repeat of the opening passage, possibly taken from 'Alexander Nevsky's Camp', giving the movement an ABA form. In 1939, Prokofiev arranged the music of the film score as the cantata, Alexander Nevsky, Op. 'Alexander's Entry into Pskov' gains a new passage ("Rejoice, sing, mother Rus'!") Hostis pereat!") The film is divided into 9 'scenes' by intertitles stating the location of the action, or, in the case of the 'Battle on the Ice', the date—'5 April 1242'. Leopold Stokowski conducted the NBC Symphony Orchestra and the Westminster Choir, with soloist Jennie Tourel (mezzo-soprano). Alexander Nevsky. 10; 20; 30; 40; View: Showing long format results grid. Alexander Nevsky : op 78. A rise, ye Russian People [choir and orchestra] 5. [12] In the 'Battle on the Ice', the Latin phrase Prokofiev concocted ends with 'est', which is not found in Symphony of Psalms, but is possibly a pun on the first letters of Stravinsky's surname in Latin characters (Prokofiev enjoyed such games).
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