Hey, page numbers are different depending on your copy. As they witness dehumanizing acts of cannibalism and a I hope you are able to view it sometime. Note: I first saw "The Road" in September at the Toronto Film Festival, as one of eight films I saw in three days. In the film, The Road, a father (played by Viggo Mortenson) guides a son (Kodi Smit-Mcphee) in a post-apocalyptic landscape practically devoid of life and humanity. Ethics are tested, and beliefs suddenly change. Those who remain in this wasteland of primitive life return to marauding, murder, and cannibalism. The boy is a Christ-figure in the book. 3/18/16 Fantastic! Unfortunately every turn they take they continue to fall further into despair until they find a Coca-Cola. Man doesn’t want Boy to try whiskey). The man wakes up to a sound and a glow coming from outside the window of their room. He wants to help everyone and on the other hand the father is very strong and is wise. What a thought provoking review, it gives an extra layer of depth that the audience could not identify at first glance. The man and the boy, who also remain unnamed throughout the entire novel, travel through the rough terrain of the southeastern United States. The Road Introduction + Context. Like all homes it is empty of people and rotting. Could they have used more stylized visuals, instead of relentless realism? The Boy and The Man make their way toward the sea, perhaps for no better reason than that sea has always been the direction of hope in this country. The father's childhood home represents his identity. One of those is determining the ethics of survival in a world that is chaotic and indifferent to man’s values. Man’s wife states this human condition best, “I don’t want to just survive, don’t you get it?” (Hillcoat), before taking her own life. Despite McCarthy's unique prose style, diction, and other choices, many readers and critics strive to pigeonhole his works into particular genres. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Such an event can greatly affect the behaviour of a person, as well as the ability to distinguish right from wrong. Make sure to let me know what you think of the film. To survive is not enough; the protagonists increase the weight of their burden by instituting an ethical code which mainly condemns the consumption of human flesh, despite it being one of the last edible resources. She then looks outside to see what he saw. Pamela, thanks for reading! Very nicely done WA. 1. A father and his son walk alone through burned America. That may affect my ability to view any film adaptation of his work afresh. I am not sure the characters could be played better, or differently. The boy 's father tells him "My job is to take care of you. The scene then cuts to the present where the man is walking with his son down a snow-covered road. Many ideals can be construed from Hillcoat’s adaption of McCarthy’s pointed novel. Instant downloads of all 1372 LitChart PDFs With nobody else but themselves, Man and Boy travel by foot, scavenging for food and warmth while evading violent gangs of cannibals. This is important. You must find a copy. Though a formalist film, the film’s conclusion is reminiscent of Truffaut’s 400 Blows. Let me know what you think. People are merely animals surviving by killing anyone. Food and fuel are for what everyone is looking. A family man, with children of his own, eventually takes Boy in as his own, validating Man’s will to survive. Watching Moonlight is a deeply personal experience. For anyone realising that our world is fallible is quite, The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Parents Guide. At any rate you wrote a great review here and I just wanted to comment on it. In a hurry, he then runs into the bathroom where he begins to fill the sink and bathtub. So what else can actually matters? Because of the new world’s barren lack of resources, it’s easy to conclude that the world is dying, when in fact, the world is only changing. In the film, this imagery is represented in cruel color and sound, amounting to one of many visceral images that makes The Road an R-rated movie. The cannibalistic villains follow a precedent established by George Miller’s Mad Max (1979), which seems to contain the unspoken guidelines for all futuristic villainess (i.e. I'm going to jump the gun and link yours to mine. Their mantra, “carrying the fire (inside)”, acts as a religious focus for the son whose father wants him to want to live. Even Man takes action in his attempt to shoot his own son, so that he might avoid the terror of cannibalism. If [The Road] fits any genre, it is in the class of post-apocalyptic novels like Left Behind, which is the title of one of the New York Times book reviews. Relationships are lost, but some may grow stronger. Nothing moves in the ravaged landscape save the ash on the wind and water. McCarthy's unrelentingly honest and unglorified depictions of violence and human cruelty in his novels, such as in Blood Meridian and The Road, strike readers deeply. This is no Christian novel, however, except in its Calvinistic austerity and suggestions of the root evil of human nature apart from divinity. No reason is given for this destruction, perhaps because no reason would be adequate. The film acknowledges the extremity of conditions which could prompt one to take his/her own life. It has to fire. As all vegetation dies, the risk of outside invaders increases, and the weather becomes increasingly colder, Woman finds life unbearable, and commits suicide. Robert Duvall's speech is important; he replies when asked about his son that he cannot talk about it, not with the man, not with his son. I have no idea. 2016 AP Lodestar One last principle in the ideology of The Road is the dignity of death. Upon reaching the coast, Man collapses and dies, leaving Boy on a beach to fend for himself. But I loved your analysis of the characters, the themes of the story, and will continue to read your book and film reviews. (author) from First American Ruins, MI on June 09, 2010: Dohn, your "The Road" Hub is excellent, of course! It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. Though it isn’t revealed what exactly causes earth’s decay, Man’s narration in the opening, “...clock stopped at 1:17, there was a long sheer of bright light, then a series of low concussions” (Hillcoat), is a strong indication of nuclear war. Thanks a ton. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. I didn't see the film after reading the book, because for me it was just too much. WA Christopher J. Will try to find a copy of this film. When I know a novel is bring filmed, I make it a point to not read the book. Such is the case with "The Road.". Do you really think the 'family group' is anything but a figment of the child's mind? Only the man's heroic actions, which are by no means divine or divinely influenced, save his son. It is more spare in The Road than in a more ornate work like Suttree; in The Road, it is as evocative in the way Samuel Beckett is. He stays with his father's body, not eating, slowly sinking into mental collapse, to hallucinate the loving caring world that no longer exists. One of the more dynamic uses of photography and angles is used during an earthquake, in which cameras are attached to falling trees in a forest. Do you understand?" I'm not sure what relevance this subplot has to the film as a whole; a marriage happy or sad -- isn't it much the same in this new world? When the time comes there will be no time. Boy piously follows his teachings blindly, so concerned with good and evil, that when Man kills a cannibal making an attempt on his life, he remorsefully asks, “are we still the good guys?” (Hillcoat). Now is the time. Throughout the story, the man and the boy are looking for hope in anything and everything. This has happened in such recent memory that even The Boy, so young, was born into a healthy world. It does not help to say that The Road is a drama, though it certainly is more of a tragedy than a comedy. He and The Boy are transporting a few possessions in a grocery cart. These are characters who truly are working out their salvation with Kierkegaard’s infinite resignation, and with fear and trembling. GradeSaver, 19 September 2009 Web. Most of the book the characters are walking across roads and scavenging food so that they can stay living. WA Christopher J. The loss of a loved one can help us find compassion. If it were not, "The Road" might be just another film of sci-fi apocalypse. I'm not sure this is any fault of the filmmakers. "The Road McCarthy, Genre, and Violence". LitCharts Teacher Editions. The Road is a 2009 American post-apocalyptic survival film directed by John Hillcoat and written by Joe Penhall, based on the 2006 novel of the same name by Cormac McCarthy.The film stars Viggo Mortensen and Kodi Smit-McPhee as a father and his son in a post-apocalyptic wasteland.. They're like having in-class notes for every discussion!”, “This is absolutely THE best teacher resource I have ever purchased. McCarthy's greatest novels are Suttree and Blood Meridian. It is mankind that is dying in its failure to adapt to these new conditions; it is mankind which took the world for granted; mankind which now pays for its arrogance.

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