“Are you able to confidently justify supporting this book despite all of the above, despite the harm it can and will do to real people?” she asked in conclusion. Alexie’s literary bona fides are, after all, unimpeachable—so to categorically refuse to read certain books of his based on market seems absurd. These endings are emblematic of the fact that the emotional and moral ambiguity of adult fiction—of the real world—is nowhere in evidence in YA fiction. And if people are reading Eleanor & Park instead of watching Nashville or reading detective novels, so be it, I suppose. This stat is further used to come to the conclusion that young adult novels are replacing literary fiction in the lives of adult readers. And you'll never see this message again. But reading YA doesn’t make for much of a confession these days: A 2012 survey by a market research firm found that 55 percent of these books are bought by people older than 18. This is a conversation among adults about books that are written by adults and largely read by adults, shredding each other’s reputations under the guise of protecting the children. I'm what societal norms have defined a "grown-up" and I cried. The first 99 years certainly mattered, but it was not until the century mark that the name for the war that would persist through history became even theoretically available to those living through it. As discussed in the beginning, the article doesn't show any resources stating that this is happening at all. But crucially, YA books present the teenage perspective in a fundamentally uncritical way. All rights reserved. By Ruth Graham. Listen to Shailene Woodley, the 22-year-old star of this weekend’s big YA-based film. Persons with disabilities who need assistance accessing NHPR's FCC public files, please contact us at publicfile@nhpr. Ruth Graham has an article on Slate with the hed, "Against YA," and a summary that says, "Read whatever you want. And you'll never see this message again. We'd love to know what you think should hold the title...leave us a note on Facebook with your pick. Here it is, the original article. But what about Peyton Place? Now, Jackson has been demonized by the community he once helped police. (If it’s actually a death! At the end of it all, I don't believe that the writer is railing against YA (and what she defines as "non-literature"). For her, YA meant simplistic story-telling, straightforward characters, and satisfying, unambiguous endings—all things that readers should, for her, outgrown before graduating to the moral, thematic, and structural ambiguity of adult literary fiction. But a landscape in which a handful of online critics can hound an author into retracting her own work is something much more foreboding—and hardly one in which new and genuinely interesting voices are likely to thrive. I sincerely don't remember being worried about "graduating" to adult books â probably because I was too worried about finding books I would like. There’s a new series from New Hampshire children’s author Paul Durham, a memoir from Mariano Rivera, and a new novel from perennial favorite JK Rowling. While it’s certainly true that readers who never deviate from YA literature will miss out on the glorious complexities of writers like Saul Bellow, Toni Morrison, and Vladimir Nabokov, there is no logical sense in believing that the reverse is not also true. I’m talking about the genre the publishing industry calls “realistic fiction.” These are the books, like The Fault in Our Stars, that are about real teens doing real things, and that rise and fall not only on the strength of their stories but, theoretically, on the quality of their writing. More importantly: Does it matter? 2019 The Slate Group LLC. There’s a special reward in that feeling of stretching yourself beyond the YA mark, akin to the excitement of graduating out of the kiddie pool and the rest of the padded trappings of childhood: It’s the thrill of growing up. But mature readers also find satisfaction of a more intricate kind in stories that confound and discomfit, and in reading about people with whom they can’t empathize at all. Adult novels often embrace ambiguity. I know what Slate is doing; they want pieces like mine to draw more attention to theirs. I’m a reader who did not weep, contra every article ever written about the book, when I read The Fault in Our Stars. Or Irving's other classic, A Prayer For Owen Meany? By Ruth Graham. In a piece Titled Against YA (6/5/14) Graham lays out an argument that adults can “Read whatever you want. Yes, plenty of books make it that far and then sell poorly or are savaged by critics after publication. (Jackson is black and queer.) Most importantly, these books consistently indulge in the kind of endings that teenagers want to see, but which adult readers ought to reject as far too simple. Meanwhile, a 2012 study found that 55 percent of YA readers are adults, a percentage I suspect has risen since then. They are also, by and large, novels that no reader should miss. Ruth Graham is a contributor for Slate and also a Granite Stater which is the only nice thing I can say about her after reading her recent piece entitled, “It’s Time to … A Place for Wolves, Jackson’s first novel, was scheduled for publication later this month. A blog about books. (digital post by Faith Meixell), Credit rachelkramerbussel.com via Flickr Creative Commons, No, You Do Not Have To Be Ashamed Of Reading Young Adult Fiction, 6.10.14: The Exo-Skeleton Kicking Off The World Cup And Why Reading YA Is Embarassing. Books like The Westing Game and Tuck Everlasting provided some of the most intense reading experiences of my life. Instead, when I was a pre-teen and teenager, I was in the stacks reading literary authors like Fitzgerald and Shakespeare, in the mystery section checking out all the Agatha Christie I could, and devouring Tolkien, Salinger, Updike, L'Engle, Paterson, Ingalls Wilder and, yes, The Baby-sitters Club and Nancy Drew. You can cancel anytime. All contents © Is there any reason why one should be better than the other? June brings another provocation, this time from Ruth Graham in Slate, who argues that adults ought to be ashamed of reading young adult literature. With the exception of The Hobbit and A Separate Peace, each of the novels listed in the last paragraph has something in common: in addition to appearing on TIME Magazine’s list of the 100 greatest young adult novels of all time, each one also appears on either TIME’s or Modern Library’s list of the best novels (read: adult novels) of the 20th century. Ruth Graham is a regular Slate contributor. In a Slate article in 2014*, Ruth Graham argued that adults who read young adult fiction should feel embarrassed. Ruth Graham died in 2007 when I was about to embark on a daylong hike in the Great Smoky Mountains. You’ve run out of free articles. This is the second time this year that a YA writer has made the same calculation. But this stat's significance is used to come to problematic conclusions. You can manage your newsletter subscriptions at any time. Slate relies on advertising to support our journalism. All contents © 2020 The Slate Group LLC. Slate is published by The Slate Group, a Graham Holdings Company. That’s my demographic, which might be why I wasn’t surprised to hear this news. What's The Most Famous Book Set In New Hampshire? I can't remember defining a difference between YA and adult books. By joining Slate Plus you support our work and get exclusive content. I thought, Hmm, that’s a nicely written book for 13-year-olds. This article does a better job than most at not quoting Graham out of context and explaining how the value of reading YA as adult may depend on the changing definition of “adult.” It also discusses why many of the attributes of YA that Graham warns against are certainly true to the genre, but that doesn’t mean an adult can’t learn something from these books as well. (I lamented this trend back in 2014 in an essay that made me an enemy of YA Twitter along a different fault line.) Photo illustration by Slate. Survive. Perhaps because it was written by a high-schooler, the novel took a dark, almost gritty view of adolescent life. All rights reserved. Let’s set aside the transparently trashy stuff like Divergent and Twilight, which no one defends as serious literature. Readers, however, do not. Adults are the people with purchasing power. Posts about Against YA written by teachcmb56. All contents © 2020 The Slate Group LLC. I won't try my hand at it, because I don't find categorizing writing this way all that important. But even the myriad defenders of YA fiction admit that the enjoyment of reading this stuff has to do with escapism, instant gratification, and nostalgia. Hinton’s The Outsiders (1967). Please try again. A Separate Peace? Slate relies on advertising to support our journalism. For example, if you love the adult book Gone Girl , you should also read the YA We Were Liars . If unambiguous endings were good enough for Shakespeare, why shouldn’t they be good enough for serious modern readers? After brushing up on the debate, let us know what you think. Fellow grown-ups, at the risk of sounding snobbish and joyless and old, we are better than this. “Last year, when I made Fault, I could still empathize with adolescence,” she told New York magazine this week, explaining why she is finished making teenage movies. However, it seems clear between the lines that the author is trying to make a distinction between what's "literature" and what's not, mostly with the latter composed of young adult books and genre fiction: Unfortunately, these labels aren't as transparent as Graham may wish. It’s not simply that YA readers are asked to immerse themselves in a character’s emotional life—that’s the trick of so much great fiction—but that they are asked to abandon the mature insights into that perspective that they (supposedly) have acquired as adults. June 20, 2014 Jesse 2 Comments. Adult fans of these books declare confidently that YA is more sophisticated than ever. Ruth Graham recently sparked a "I'll read what I want!" It was an instance in which the foundations of modern YA literature as a discreet genre were laid by the publishing industry. As we know from Pixar movies, sometimes the children's section has more true to life elements than art geared toward grown-ups. “No, You Do Not Have To Be Ashamed Of Reading Young Adult Fiction,” by Alyssa Rosenberg for the Washington Post. Though its publication was certainly a watershed moment, 1967 was obviously not the first year in which a book focusing on adolescents was published.
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