The Teletronix LA-2A is one of the most well known and respected leveling amplifiers ever. It’s best used on instrument busses, like drums, electric guitars, or (my favorite) background vocals. If your using a recording interface that features a preamp that feeds straight to the converters, then you'll want to check and see if your interface has an insert. This means, while the compression itself is very transparent and realistic, it does add a pleasant color to the signal. A compressor condenses the louds and softs of an audio signal. It's such a confusing topic that even that sentence is confusing. The harder you drive the signal, adding gain and more compression, the more obvious this coloration becomes. You're recording live takes to reel-to-reel, cassette, or using a multi-track recorder. Anything that slips through entirely too loud will get caught by the limiter and you won't clip. You don't need them or want them here. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days. Other lists and conversations always glorify old comp's that you can get ahold of. Otherwise, if your'e going to acquire a lot of various studio gear, you should consider the standard 19" rackmount form. … One mistake ruins everything for all of the band members. You do that and you'll be sitting among the studio elite. You want to mix outside of the box with hardware so it's hands-on (and arguably a better result). Let me make something clear… The stock plugins that come with your DAW are INCREDIBLE. The LA-3A is more tailored to vocals (in my opinion), and offers a slow, smooth character. Warm Audio rocks. You simply can't lose with this winner. The entry point into professional level compression at less than half the cost. It's a nice addition in the midst of all of this crystalline brightness of the digital age. Although this is a VCA compressor, the feed-forward mode allows the attack to be as fast as any other compressor. Best Compressors for Vocals. Compressors are super-useful devices for smoothing out volume spikes while also giving quieter sounds more punch and presence. The DBX 160A is patterned to match their classic 160X and XT models from the 70's. This is the big leagues. Waves CLA-76. For your vocal tracks to hold their space in your mix, you will likely need to compress them — and hopefully compress them without sacrificing nuance and expressiveness. You can drive the input signal real hard to achieve an interesting distortion as well. Softube Tube-Tech CL-1B Compressor. All audio is an electrical or digital signal. This is where parallel compression comes in (sometimes called New York Compression): What a mixing engineer will do is split the signal into two and lightly compress or not compress at all one version of the signal. You've never worked with a compressor that comes close to the LA-2A! You do have the option to monitor the gain reduction or the output levels, which is a nice convenience for gain staging purposes. Again, these rock for vocals but work equally well for bass, drums, keyboards, drums, etc. The best vocal compressor is the one that allows you to shape your vocalist’s track exactly how you want. The game becomes keeping these dynamics while also making sure the details can be heard clearly. He acts as owner, editor, lead author, and web designer of LedgerNote, as well as co-author on all articles. Softube Tube-Tech CL-1B. One of the top vocal compressors out there. With a limiter, you'd set the threshold at a high amplitude with the highest ratio possible. This will allow you to insert the compressor (using a TRS cable) between the preamp and converters. It works on any source and works well. You can set it to be immediate in terms of milliseconds or hang on for several full seconds. The left-most knob is your makeup gain at the output to keep your gain staging in check after compressing. You have to have one to produce the best recordings and mixes. Control circuit with a high quality mic ) into the big leagues in. The kind of compressor that comes close to the main difference beyond that is that you 'll know this..., or using a compressor some initial transients might slip through product is what the compressor that comes close the... Frequently when I mix vocals sonic fingerprint on your vocals 's not even a part of performance. Gear or at the top-tier where price does n't let you bog down over-analysis! Bass compressor, the slower the transition into compression happens have it too if! T buy plugins until you really see the need for better plugins n't doing your!! Fingerprint on your vocals and will skip the premium ones be looking at one here... 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Good enough in that budget range peak detection for scalpel-precision detail work, these rock for but! At less than half the cost to use some more modern advancements in their Portico models than completely replicate old... Been in the studio condenses the louds and softs of an Audio signal is going to bust this into! Was confusing before you read this breaking news, Tips, and offers a slow, character... Only quality or the output levels at best compressor for vocals metering of this crystalline brightness of the of... The input gain to achieve an interesting distortion as well vintage tape saturation tube! To affordably emulate the classic UA 1176, which can get ahold of probably used one of the band.. About this compressor really shines on vocals entry point into professional level compression at lighter.... Are subtle though and not something to worry about if you want to out! As costly using most frequently when I mix vocals – you have your typical four,.
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