Cf. 43. Valgrind ("The Death-Gate"): the outer gate of Valhall; cf. Allfather, Valfather, | Atrith, Farmatyr: A single name | have I never had Since first among men I fared. Hail to thee, Agnar! Something has apparently been lost from lines 3-4, but there is no clue as to its nature.]. Three roots there are | that three ways run 'Neath the ash-tree Yggdrasil; 'Neath the first lives Hel, | 'neath the second the frost-giants, 'Neath the last are the lands of men. Valfather: 'Father of the Slain." . Grabak: "Gray-Back." Ivaldi ("The Mighty"): he is known only as the father of the craftsmen-dwarfs who made not only the ship Skithblathnir, but also Othin's spear Gungnir, and the golden hair for Thor's wife, Sif, after Loki had maliciously cut her own hair off. h�bbd```b``���+A$�=��� W��`�,X�8�A$g4�d��l-`�^N5�M�l!�t�"-f�HiV ɘ���D The sixth is Thrymheim, | where Thjazi dwelt, The giant of marvelous might; [7. 51. All those who come to him with hard cases to settle go away satisfied; he is the best judge among gods and men.". 39. 0
Snorri quotes it in his description of the three roots of Yggdrasil, and the three springs be neath them. But there did the son | from his steed leap down, When his father he fain would avenge. Hnikuth: "Overthrower." A wolf: probably the wolf and the eagle were carved figures above the door.]. The king stumbled and fell forward, and the sword pierced him through, and slew him. Some editors supply a second line from paper manuscripts: "Greatly by me art beguiled.". 49. Harbarth: "Graybeard" (cf. Interpolations in such a poem as the Grimnismol could have been made easily enough, and many stanzas have undoubtedly crept in from other poems, but the beginning and end of the poem are clearly marked, and presumably it has come down to us with the same essential outline it had when it was composed, probably in the first half of the tenth century. The very name suggests guise, or mask or hood. Snorri quotes this stanza, which concludes the passage, beginning with stanza 25, describing Yggdrasil. It is not, however, in dialogue form. He is specified here apparently for no better reason than that his name fits the initial-rhyme. And amid their murmur it stands; There daily do Othin | and Saga drink In gladness from cups of gold. In the spring the peasant gave him a boat; and when the couple led them to the shore, the peasant spoke secretly with Geirröth. ", 47. As Müllenhoff pointed out, there is underneath the catalogue of mythological names a consecutive and thoroughly dramatic story. 11. Editors have altered it in various ways in an attempt to regularize the meter. Voluspo, 44. Hroptatyr: "Crier of the Gods." The first line in the original is, as indicated in the translation, too long, and various attempts to amend it have been made. The last two lines refer to the attack on Valhall by the people of Hel; cf. Snorri [fp. notes). Ydalir call they | the place where Ull A hall for himself hath set; And Alfheim the gods | to Freyr once gave As a tooth-gift in ancient times. 100] which the gods had made to light the world from the sparks which flew out of Muspellsheim. 4. In front of the sun | does Svalin stand, The shield for the shining god; Mountains and sea | would be set in flames If it fell from before the sun. Thund: "The Thunderer." Mithgarth was a mountain-wall made out of Ymir's eyebrows, and set around the earth because of the enmity of the giants.]. Thy sword-pierced body | shall Ygg have soon, For thy life is ended at last; The maids are hostile; | now Othin behold! 37. Small heed didst thou take | to all that I told, And false were the words of thy friends; For now the sword | of my friend I see, That waits all wet with blood. This and the following stanza are quoted by Snorri. Thrymheim ("the Home of Clamor"): on this mountain the giant Thjazi built his home. The hypothesis that Ratatosk "represents the undying hatred between the sustaining and the destroying elements-the gods and the giants," seems a trifle far-fetched. 8. Sithhott, Sithskegg, | Sigfather, Hnikuth, [46. Now it was a very great slander that King Geirröth was not hospitable; but nevertheless he had them take the man whom the dogs would not attack. Sath: "The Truthful." 2. Snorri gives a list of the rivers flowing thence nearly identical with the one in the poem.]. Vithi: this land is not mentioned elsewhere. It may be guessed, however, that they are a late multiplication of the single hart mentioned in stanza 26, just as the list of dragons in stanza 34 seems to have been expanded out of Nithhogg, the only authentic dragon under the root of the ash. [18. Probably this line is late enough to betray the somewhat muddled influence of early Christianity.) "The third root of the ash stands in heaven and beneath this root is a spring which is very holy, and is called Urth's well." Thor has to go on foot in the last days of the destruction, when the bridge is burning. 54. To the race of the gods | my face have I raised, And the wished-for aid have I waked; For to all the gods | has the message gone That sit in Ægir's seats, That drink within Ægir's doors. To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Freyr: concerning him and his father, see Voluspo, 21, note, and Skirnismol, introductory prose and note.]. Sinir: "Sinewy." Nothing further is known of any of the serpents here listed, and the meanings of many of the names are conjectural. Lokasenna, introductory prose.]. Sökkvabekk ("the Sinking Stream"): of this spot and of Saga, who is said to live there, little is known. Snorri quotes this stanza. Gangleri: "The Wanderer." Bolverk: "Doer of Ill" (cf. Gaut: "Father." Freki and Geri | does Heerfather feed, The far-famed fighter of old: But on wine alone | does the weapon-decked god, Othin, forever live. [36. In Eldhrimnir | Andhrimnir cooks Sæhrimnir's seething flesh,-- The best of food, | but few men know On what fare the warriors feast. Concerning the condition of stanzas 46-50, quoted by Snorri, nothing definite can be said. Grafvolluth: "The Field Gnawer." Hild: "Warrior." The stories. stanza 11 and Voluspo, 21. 32. Herteit: "Glad of the Host."
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